Tommy Castro is one of the most popular and creative roots artists to emerge in recent years. On his newest CD, Painkiller, Castro teamed up with producer John Porter, renowned for his work with a Who's Who list of artists such as Los Lonely Boys, Taj Mahal, Keb Mo, Santana, B.B. King, Elvis Costello, adn Buddy Guy. Said Castro, "When I started looking for a producer, I realized that John had produced some of my favorite records of the last ten years. After working with him in the studio, I understand now why that is. With John, everything just seems to be right; all the parts work and flow together."

Everything indeed just seems right about Painkiller. With the Tommy Castro Band anchoring the sessions, Porter has fashioned a most tasteful album from the many talented parts of Castro's patented rock 'n' soul music. Special guests Coco Montoya, Angela Strehli, David Maxwell, and Teresa James join the fun.

Tommy's career has been marked by one triumph after another. Considering his innate charisma and his skills as a supremely talented guitarist, gifted vocalist, and engaging songwriter, it is easy to see why Castro has enjoyed so much success so quickly. In a remarkably short time, he went from performing at a tiny San Francisco saloon to opening act on B.B. King's national tours and international acclaim as one of the most compelling artists on the scene.

Born and raised in San Jose, California, Tommy expressed interest in learning to play the guitar at age ten. Young Castro was initially inspired by the likes of Eric Clapton, Mike Bloomfield and Elvin Bishop. Later, wanting to know who their influences were, Tommy became enthralled with the guitar playing of B.B., Buddy Guy, Muddy Waters, Elmore James and Freddie King, as well as the vocal stylings of Ray Charles, Otis Redding, Wilson Pickett and James Brown.

Castro went on to play with many Bay Area bands. "When I was a kid, music was something I did for fun. Later, it became obvious to me that playing music was the thing I was meant to do, so I made a decision to pursue it as a career." For two years he toured the U.S. extensively with Warner Brothers recording artists The Dynatones.

Industry trades took notice as well. Calling him "an up and coming blues phenom," Billboard said, "Castro combines the earthy soulfulness of Albert Collins and B.B. King with the polish of Robert Cray." And importantly, radio's insider "bible," The Gavin Report, said of the album: "Castro has etched one of those rare blues records that rises above the usual cliches of the genre. Castro is the awesome exception to the blues rule... the next blues rock hero."

Blues Revue noted, "Castro's energy and charisma leap right out of each and every one of the cuts on the album. Castro's clearly got the goods and knows how to use them." Living Blues offered, "Castro's stinging, clean guitar tone shines. A talented guitarist who shows much promise, Tommy Castro can play with both scorching power and restraint." Even mainstream music magazines were lavish in their praise, with Musician magazine exclaiming, "Castro could be a star," while Guitar magazine noted, "It's straightforward, grooving blues that'll get your feet moving."

Castro released his second album for Blind Pig Records in 1997, Can't Keep A Good Man Down. Grammy award winner Jim Gaines (known for his production with Stevie Ray Vaughan, Santana, and Huey Lewis, among many others) helmed its production and offered listeners a heady mix of Tommy's trademark slashing guitar work and his commanding vocal skills.

The radio trade Album Network said, "This recording burns through a mixture of blues, rhythm & blues and a splash of rock 'n' roll. Castro is the real deal." The CD soon received continuous airplay and regular fan requests on well over 400 radio stations nationwide. Castro was featured on the cover of Blues Revue with a highly laudatory feature article. Another national publication Blues Access, highlighted Castro's burgeoning appeal: "If you're looking for driving blues-rock with soulful vocals and a Southern accent, your search is over. This is party music, good-time music with the potential to appeal to an audience outside of the blues crowd."

One recognition of this mainstream appeal came with the selection of the Castro group by HBO Productions as the house band for NBC-TV's "Comedy Showcase," airing after that network's legendary "Saturday Night Live." The band appeared on national television for three consecutive seasons. Castro's music has also been featured in network television programs such as "Nash Bridges" and "The Young and the Restless."

Castro's next recording-produced by the talented Jim Gaines-was 1999's Right As Rain. The CD showcased Castro's electrifying blue-collar rock 'n' soul music in an engaging program that features guest appearances by roots rock legends Dr. John and Delbert McClinton. Guitar magazine said, "With soulful, no-nonsense vocals and a prevalent horn sound, Castro creates an accessible Stax/Volt vibe. The guitar soars any time he decides to cut loose, but the songs also benefit from his ability to play with tasteful restraint." Playboy added, "Worshipped for his guitar virtuosity, Castro throws a bit more rock and two bits of soul into his basic blues mix on Right As Rain. He has the voice, the band, and the guitar to pull it off." And perhaps most impressive of all, the readers of Blues Revue magazine voted the disc one of the best 40 albums of all time!

Tommy has wowed and won fans on every stage he's performed on, with is riveting presence growing stronger by the year. In 2000, to demonstrate Castro's remarkable charisma and ability to command a stage, Blind Pig released Live At The Fillmore, both as a long form video (on DVD and VHS) and an enhanced CD. The San Francisco Chronicle said "Castro's loose-jointed blues-rock sound is captured in all its onstage glory. He has distilled the essence of great bar bands everywhere and put his personal stamp on it at the same time." Blues Revue said the live disc "demonstrates Castro's strengths as a singer, guitarist, and bandleader. His rapport with the audience-and his sheer joy in performing-highlight this tight set."

Other additions to his discography include the 2001 album Guilty of Love from the fledgling 33rd Street Records label, and the 2003 release Gratitude on his own Heart and Soul label, on which he paid tribute to his influences. He also appeared on the 2003 title from Telarc entitled Triple Trouble, which also features guitarist Lloyd Jones and harmonica/sax player Jimmy Hall.

Castro's next recording-produced by the talented Jim Gaines-was 1999's Right As Rain. The CD showcased Castro's electrifying blue-collar rock 'n' soul music in an engaging program that features guest appearances by roots rock legends Dr. John and Delbert McClinton. Guitar magazine said, "With soulful, no-nonsense vocals and a prevalent horn sound, Castro creates an accessible Stax/Volt vibe. The guitar soars any time he decides to cut loose, but the songs also benefit from his ability to play with tasteful restraint." Playboy added, "Worshipped for his guitar virtuosity, Castro throws a bit more rock and two bits of soul into his basic blues mix on Right As Rain. He has the voice, the band, and the guitar to pull it off." And perhaps most impressive of all, the readers of Blues Revue magazine voted the disc one of the best 40 albums of all time!

Tommy has wowed and won fans on every stage he's performed on, with is riveting presence growing stronger by the year. In 2000, to demonstrate Castro's remarkable charisma and ability to command a stage, Blind Pig released Live At The Fillmore, both as a long form video (on DVD and VHS) and an enhanced CD. The San Francisco Chronicle said "Castro's loose-jointed blues-rock sound is captured in all its onstage glory. He has distilled the essence of great bar bands everywhere and put his personal stamp on it at the same time." Blues Revue said the live disc "demonstrates Castro's strengths as a singer, guitarist, and bandleader. His rapport with the audience-and his sheer joy in performing-highlight this tight set."

Other additions to his discography include the 2001 album Guilty of Love from the fledgling 33rd Street Records label, and the 2003 release Gratitude on his own Heart and Soul label, on which he paid tribute to his influences. He also appeared on the 2003 title from Telarc entitled Triple Trouble, which also features guitarist Lloyd Jones and harmonica/sax player Jimmy Hall.