ANA POPOVIC "STILL MAKING HISTORY" Source: Blues Revue Magazine Date: 08/2007 Writer: David Freeland

Ana Popovic is a fine example of a blues artist who takes new directions while remaining true to the essence of the genre. Her fascinating background — she grew up in war-torn Serbia under Milosevic’s rule — draws special interest, but Popovic could stand on her own without such an intriguing biography. She avoids clichés, opting to follow a more difficult route of her own creation. Even a cursory listen to Still Making History proves that she succeeds.

Though capable of thunderous, Stevie Ray Vaughan-inspired guitar solos, Popovic is equally adept at a quieter, more contemplative style. On the marvelous “Between Our Worlds,” her vocals are salty and powerful, bypassing the easy route of phony belting and growls. Like Janiva Magness, Popovic’s vocals embody a deep sense of identity. The most compelling tracks on Still Making History are those in which Popovic’s social and political awareness comes into play. “Hold On,” “Between Our Worlds,” and the moving “Calendars” address the challenges of adapting to Western ideals, remorse for those left behind, and hope for a day when dreams aren’t dashed by the savagery of war. This is one of those rare blues albums where listeners will be thankful that the lyrics are printed in the liner notes. “Calendars,” in particular, opens with a beautiful turn of phrase: “I’m gonna fix the light/And pour me a drink/I’m about to spill my life/With every drop of ink.”

True to form for Delta Groove Productions (and its new subsidiary, Eclecto Groove), lavish and informative packaging enhances the listening experience. John Porter’s production is warm and rich, and Popovic’s band (including appearances by top-notch players such as Steve Potts and Jim Spake) offers sympathetic support. With Still Making History, Popovic has arrived.