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JOHN
LONG "LOST & FOUND"
Source: Bad Dog Blues
Date: 01/2006
Writer: Jeff Harris |
Country
blues is deceptively simple and while there's many modern
day practitioners, few really capture the feel of the
music as it was played in the 1920's and 30's. On "Lost
& Found" John Long displays an uncanny feel
for the old time blues on his astonishing and long overdue
debut.
So who is John Long and how could such an amazing
talent stay hidden for so long? As mentioned, this
is Long's debut having previously cut a lone cut on
an obscure compilation, a few appearances on other
people's sessions and a handful of demos. Long began
performing in the early 60's with his brother Claude
playing mainly rock & roll and R&B. Like many
he began to dig deeper investigating the greats from
the 1920's and 30's and receiving first hand pointers
from Big Joe Williams and Homesick James. Opportunities
were few, as they still are, for a solo acoustic bluesman
so Long toiled at a day job and played gigs when he
could. Long's years of woodshedding have paid off
as he emerges on "Lost & Found" fully
formed, a master country blues player who's music
sounds natural and effortless.
The problem with many modern day country blues performers
is that the music often comes across as too stilted
or too academic as if they've learned all the right
notes from the old records but none of the feeling.
Don't get me wrong there's a number of fine players
on the scene including the ageless John Hammond, Paul
Geremia, Corey Harris and Alvin Youngblood Hart who's
perhaps the best I've heard in recent years. Add John
Long to that rarified list, who's debut compares favorably
to Alvin Youngblood Hart's classic debut, "Big
Momma's Door" (1995) which set the benchmark
for modern day country blues records. Like Hart, John
Long is the total package, an exceptional, percussive
guitarist and an outstanding vocalist. In fact if
it wasn't for the lack of clicks and pops you could
almost mistake these sides for a cache of newly discovered
pristine 78's. In addition Long is a first rate songwriter,
having penned all twelve tracks filled with plenty
of sly humor and heartache. Long also plays some fine
harmonica and is joined on a few tracks by pianist
Fred Kaplan, former frontman with The Hollywood Fats
Band and currently leader of The Hollywood Blue Flames.
Working with a backlog of some 40 years worth of songs,
it's not surprising that there's not a bum track in
the bunch. The disc opens with driving, percussive
"Hokum Town" as Long pointedly sings: "With
you and your father I just can't win/You hate people
'cuz the color of their skin/I'm packin' up/Leaving
on this bus outside." Among the many highlights
include the infectious, humorous "Pressure Cooker
('Bout To Blow)", sings about that "screaming"
"Hell Cat" featuring rolling barrelhouse
piano from Kaplan, blows some sweet harmonica on "Stranglevine"
backed again by Kaplan's tasteful playing and gives
us two fine versions of the poignant "Leavin'
St. Louis" with a solo and piano version to wrap
up a tour-de-force performance. Long has fully integrated
his influences into a unique voice but under the surface
one can hear the echoes of greats like Big Joe Williams,
Tommy Johnson and Robert Johnson who so clearly inspired
him.
"Lost
& Found" is hands down one of the best acoustic
debuts in some time and should finally get the word
out about John Long who's be waiting in the wings
far too long. |
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