JOHN LONG "LOST & FOUND" Source: Columbus Blues Alliance Date: 01/26/2007 Writer: n/a

John Long’s story is familiar in the world of blues. He spent years (decades, really) studying his craft, playing and honing his skills along side greats like Homesick James. He received praise from Muddy Waters, who called him “the best young country blues artist playing today”. That was 30 years ago and finally we have been fortunate enough to get recorded output from Long. It isn’t surprising this album is so good. Just as Little Al Thomas and Precious Bryant started recording late in life, so did Long. And just as with Thomas and Bryant it seems that Long gathered up all his best material for the effort.

John Long’s style is one not often heard today, so it was quite a treat when “Lost & Found” (ASIN: B000CSUM1M) showed up at the CBA office. The approach is a simple one I wish we could see more often; give the artist their instrument and a microphone, hit “record” and leave them alone. Playing acoustic blues is not difficult in itself; many blues artists play acoustic now and then. Too many of them though are simply trading an electric instrument for an acoustic one. While that can work, it doesn’t always capture the emotion and feeling that is at the heart of acoustic blues.

Long’s playing is reminiscent and yet refreshing. His voice is just gruff enough for country blues and clear enough to get the point across. Overall, it’s an even mix of textures. While much of his music (all originals, by the way) may sound like a rehash of acoustic blues we have all heard before, it is only because he writes an plays in the same manner of those that have gone before. He manages to create his own sound and distinct bearing, which is what it’s all about after all. The lyrics also generate that sense of familiarity while being completely original. It’s not hard to realize the pressure cooker that’s “’bout to blow” is Long’s version of “blowin’ his horn”. His “Mean Ole Rootin’ Ground Sloth” is no more than the mule kicking in someone else’s stall, but substituting an animal such as the sloth conveys the same sentiment while keeping the spirit of innuendo alive and well.

The majority of the album features Long’s voice and resonator, all kept in time with a requisite foot stomp. Since he’s so good with both, it is the proverbial icing when the occasional harmonica or piano is included to give a song that little extra depth. “Leaving St. Louis” features both instruments in two different versions, the first being harmonica-driven with the second dominated by lively keys. “Lost & Found” is an easy recommendation for lovers of acoustic country blues, and especially for those with a passion for that Delta sound. I hope the wait for a second effort will take less than 30 years. Provided any follow-up is of the same quality as “Lost”, I can stand to wait a few years in any case. Mr. Long has bought himself some time with this one.