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KIRK FLETCHER "SHADES OF BLUE"
Source: Living Blues Magazine
Date: 01/2005
Writer :
David Whiteis

Guitarist Kirk Fletcher weighs in with another diverse set ranging from smooth- sheened , West Coast-flavored outings to rootsy evocations of Chicago . He is not, however, a vocalist, so the ultimate success of the disc depends on the singers he’s chosen to enlist to his cause. And they’re a stellar crew. Janiva Magness contributes her insinuating warble to Jr. Wells’ “Little By Little”, the Magic Sam chestnut “That’s Why I’m Crying”, Willie Dixon’s “Don’t Go No Further”, and BB’s “You Don’t Know” (although she sounds oddly stiff on the last one.) Finis Tasby’s gutsy tenor squall adds urgency to “Down Home Woman”, Jimmy Dawkins’ “Welfare Blues”, asomeaht -too-sprightly take on Percy Mayfield’s “River’s Invitation”, and his own broomdusting “Worried Man Blues”.

Fletcher’s old bandleader Kim Wilson delivers Eddie Taylor’s “Bad Boy” with an uncanny feel for Taylor ’s vocal timbre and phrasing, and he sounds appropriately bereft on Slim Harpo’s “My Home Is APrison” (sung through a bullet mic that makes him sound eerily like Big Walter Horton). He also contributes tasteful, wide-mouthed harp work throughout – especially on his own “Club Zanzibar”, on which he invokes both Big and Little Walter with uncanny verisimilitude. If there’s a flaw to this outing, it’s that Fletcher is just a tad too tasteful – in his zeal to bring his full talent to bear on as wide a stylistic range as possible, he occasionally sounds as if he’s trying to transport the blues from the gin mill to the musicology seminar. But in today’s world of “ blooze ” overkill, that’s hardly a fatal flaw. As the twenty-something Californian continues to grow into his music, he’ll no doubt attain the confidence to give his passions free rein alongside his impeccable musical intelligence.

 

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