THE
MANNISH BOYS (Live Show)
Source: Edmonton Sun
Date: Jeremy Loome
Writer: 08/21/2005
Hot
Night On the Hill And Even The Weather Was Perfect.
Blues on Whyte used to be a dingy bar, with the smell
of poorly maintained toilets, stale beer and cigarette
smoke - creating the kind of atmosphere that, for reasons
unknown, invigorates blues fans like a shot of Red Bull
and vodka. All
the smoke is gone now at the city's only full-time
blues haven, thanks to the benevolent morality police
with the City of Edmonton. The carpet has been cleaned,
the bathrooms renovated. But I guess it fits the stereotype-shredding
nature of the blues that it continues to appeal to
its intended low-rent audience - even as the rest
of its fan base grows less urban soul and more suburban
sprawl by the second.
And
the hard-living crowd is still showing up. They've
just gotta jockey room with moms and pops.
It's
been said before (by me, last year) that the Labatt
blues fest crowd could do all fans a favour by turning
up at some of the local club shows put on by Edmonton's
many-and-varied blues bands. Because rain or shine,
the Hawrelak Park festival draws them out like bees
to honey, as Muddy might've noted.
This
is what the crowd at Blues on Whyte becomes when they
give up heavy drinking, buy an SUV and start leaving
their TVs tuned to the Family Channel.
"We
sold out, for the first time ever, 15 minutes ago!"
producer Cam Hayden announced to the crowd at 5:30
p.m., about four hours after they started dancing.
"I mean, in a good way."
There
wasn't much chance of disappointment this year or,
on the first two days, anyway. Every artist who hit
the stage yesterday was darn near note perfect. The
weather was spectacular, the blues stars accommodating,
the food lineups always reasonable.
Last
night's headliner, The Mannish Boys, is actually a
"supergroup" of the cream of the road warrior
bluesmen, including a rotating guitar slot that has
featured the likes of Junior Watson, Kirk Fletcher
and, on this occasion, Kid Ramos. Johnny Dyer came
along to blow a mean harp and show 'em how it's done
down in the Delta.
That's
about as good a blues crew as you'll find showing
up north of Illinois, although in this case, they're
all working out of L.A. for Randy Chortkoff's new
Delta Groove label. Chortkoff isn't just an impresario:
He plays a mean cross-harp, and sings real nice, too.
They
rolled through a medley of tunes off their album That
Represent Man, including a swampy cover of Muddy's
I'm Ready, on which Kid Ramos proved he's darn near
peerless these days on six strings - maybe the best
blues guitarist in the world right now. He furthered
it with some smoking Albert Collins from the Imperial
Records days that was likely the tightest piece of
12-bar anyone in this town's heard in a while.
The
Downchild Blues Band led in with a blistering set
full of harp, horns and Hammond. Founder Donnie Walsh
showed with a cookin' piece of slide on Elmore James's
TV Mama. Then they ripped into an equally potent rendition
of James's Madison Blues, a harp and sax managing
to sound like a full seven-piece horn section, and
maybe then some.
A
host of classics followed, including killer takes
on Shotgun Blues, Bad, Bad Whiskey and their classic
closer, the old nugget Flip, Flop, Fly, which had
the crowd in a frenzy. It was the first time this
weekend that a standing 'o' has reverberated up the
auditorium hill crowd like a football stadium wave.
Anyone
expecting to hear David Gogo's recent successful singles,
including the catchy Springsteen-derived Hey Juanita,
will have to call their local rock radio stations.
Gogo said he was told by the show's producers to stick
to strictly blues.
"Thank
you very much. That was our traditional interpretation
of the Muddy Waters song Hoochie Coochie Man,"
Gogo joked dryly, after closing the classic song with
a three-minute guitar solo that hit every fret on
the neck , along with a few shameless minutes playing
slide with a beer bottle, a la every bad bar band
since Janis Joplin was in diapers.
It
was interesting to see how the crowd took to Mem Shannon's
odd mix of lightweight lyrics and driving soul, backed
by his usual rich arrangements.
Not
surprisingly, they found his sweet guitar work every
reason to get down, even as he filled the amphitheatre
with cheesy material about Tiger Woods, followed up
with one about - Lord , say it ain't so - SUVs, in
which he asked people to yell if they owned a "Chevy
Blazer!" "Ford Explorer!"
The
arms shot up. And lo, the writer's first point was
reconfirmed. |