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THE MANNISH BOYS "THAT REPRESENT MAN"
Source: Blues in Britain
Date: 02/2005
Writer: Mick Rainsford

If you like what Smokey Wilson would describe as “real deal” blues, and if you follow Harmonica Slim’s advice and walk those “black bottom” blues, then the three CDs under consideration here will be essential purchases for you.

The Mannish Boys are Finis Tasby (vocals), Kirk Fletcher and Frank Goldwasser (guitars), Leon Blue (piano), Ronnie Weber (bass) and June Core (drums), with a stellar list of guests comprising Roy Gaines, Johnny Dyer, Mickey Champion, Paul Oscher and Randy Chortkoff; and with a line-up like that you can have no doubts that you are in for a real blues treat.

The set opens with the loping swamp/Jimmy Reed styled shuffle “Going Crazy Over TV”, which is accentuated by Chortkoff’s harp, Goldwasser’s shimmering chords, Fletcher’s Eddie Taylor styled guitar riffs, all underpinning Tasby’s hard-edged blues vocals; before moving into a wonderfully downtrodden rendition of Smokey Smothers’ “Come On Rock Little Girl”, with it’s pulsing bass lines and scintillating guitar fills.

Jimmy Nolan’s “You Been Goofin’” finds Leon Blue taking centre stage, his rocking piano and deep blues vocals, plus a hard riffing horn section, adding a strong Jimmy McCracklin influence to the mix; David “Woody” Woodford’s sax also adds a broodingly hypnotic feel to Goldwasser and Tasby’s tough guitar and vocals on a menacing rendition of Mighty Joe Young’s “Easier Said than Done”; whilst Roy Gaines’ buzz-saw guitar and hard-hitting vocals propel the jumping sax-fired R&B of “I Had A Dream Last Night” in glorious fashion.

Johnny Dyer’s laconic vocals and harp are resplendent on two Little Walter covers, “Temperature” and “You’re Sweet”, the latter given a strong Muddy feel, harp bass and guitar meshing seamlessly in classic Chi-Town ensemble fashion. “The Eagle Is Back” is a tough unadulterated blues featuring the brassy vocals of the great blues chanteuse, Mickey Champion, whose tough delivery is underpinned by deep rolling piano and Fletcher’s “chicken-scratch” guitar; Leon Blue also adding some fine barrelhouse piano to Goldwasser’s buzzing guitar as they underpin Tasby’s insistent vocals on Curtis Jones’ “Lonesome Bedroom Blues”.

Paul Oscher’s vicious slide and Tasby’s declamatory vocals on Oscher’s “Blues And Trouble”; Chortkoff’s exhilarating harp on the frantic “I’m A Lover Not A Fighter”; the vintage BB King feel of the moody “Partin’ Time”, and Fletcher’s wild and strident licks in stark contrast to Tasby’s mournful vocals on Jimmy Wilson’s “Strangest Blues”, are further highlights of a set that has no weaknesses.
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